La peor de las trampas (1990), and are constructed with branches and rungs made from machete blades.
The Cuban artist also frequently uses objects found in his journeys along the seashore and the streets of Havana—pieces of wood, rope, clothes, glass—that he works with and assembles to create his sculptures. The handcrafted nature of his pieces is a key component and refer to the culture of recycling whereby everything has various uses that differ from the one they were originally intended for.
Reference Kcho: Infinite Column, Museo Nacional Centro de Arte Reina Sofía (official exhibition text), Madrid. https://www.museoreinasofia.es/en/exhibition/kcho-infinite-column
