Press & Publications

Collection record for Kcho’s "Sans titre" at the Centre Georges Pompidou, Paris, presenting the work’s essential cataloguing information, including date, medium, dimensions, and acquisition.

Article by Maribel Acosta on Kcho’s retrospective En ningún lugar como en casa at the Museo Nacional de Bellas Artes de Cuba, offering a reading of the exhibition while also incorporating an interview with the artist about the meanings and significance of key works.

Interview with Cuban artist Kcho by Lorraine Rubio, tracing his early artistic formation, international rise, and the enduring relationship between his work, the sea, memory, and Cuban identity, while also addressing his vision for a museum without walls in Havana.

Text accompanying Kcho’s exhibition at Marlborough, offering a broad view of his paintings, drawings, sculptures, and installations, while highlighting the recurring themes of fragility, displacement, and isolation in his work.

Text on Kcho’s engagement with the politics and living conditions of Cuba, focusing on his reworking of utopian socialist symbols into functional forms during the country’s Special Period.

Article by Rosa Lowinger on Kcho’s commission in Ghent for the group exhibition Over the Edge, highlighting his direct, site-specific working process and the creation of a large installation in the Lys River from found wood gathered in the city’s harbor.

Exhibition at the Palacio de Cristal presenting Kcho’s sculptural language through themes of travel, memory, displacement, and the poetic use of modest materials.

Exhibition pairing works by Bruce Nauman and Kcho, highlighting shared concerns with isolation, identity, and psychological space through distinct conceptual and poetic approaches.